The Lebrecht Album of the Week has the first review of a premier album of orchestral and film music by George Martin, the Beatles’ man behind the glass wall.
How good a musician was the Beatles’ producer? I talked to George Martin three or four times and, while I found him very likeable, was unimpressed by his musical curiosity. Like many other producers I knew at Abbey Road, he was a purposeful fixer who knew what needed to be done to make a track work and which of London’s hundreds of freelancers he had to call in to patch up a session that, somehow, lacked the finishing touch. String quartet for ‘Yesterday’, piccolo trumpet for ‘Penny Lane’, George Martin knew who to call and how to integrate them. He had a quirky turn of mind, rather than an original concept.
Source: Slipped Disc