Welcome to the new beatles radio website we are working on the site all weekend sorry for any issues;
Welcome to the new beatles radio website we are working on the site all weekend sorry for any issues;
In 1973, John Lennon was sued by an American music mogul for the claimed theft of lyrics written by rock and roll legend Chuck Berry. The case was settled out of the court but it turns out the Beatle was not the only member of his family to be accused of being light fingered.
Historic records which go online today for the first time show that a century before John Lennon’s unwelcome brush with the law, his great uncle was busy embarking on a life of prolific crime to make ends meet in Victorian Liverpool.
The documents detailing William Lennon’s criminal career, which started in 1876 with the theft of 11 coats and four pairs of trousers before eventually graduating to counterfeiting coins, are part of 1.9 million legal and criminal records held by the National Archives now available on the internet.
The vast database details the nefarious activities of hundreds of thousands of Britons over 157 years until 1936, as well as chronicling the lives of some of the justice system’s more notorious enforcers, including the man reputed to be Britain’s longest-serving hangman.
By: Cahal Milmo
Source: The Independent
After collaborating with the likes of Kanye West and Rihanna, Paul McCartney is continuing to work with a younger generation of influential artists. This time around he's teamed up with Lady Gaga and Pearl Jam guitarist Mike McCready for the soundtrack to a new animated feature he's producing titled High in the Clouds. The film is based off the children's book McCartney co-authored in 2005, and Macca will also voice one of the film's characters, Deadline reports.
Gaga hinted at the collaboration back in February, saying she was working in the studio with McCartney on an unspecified project.
"Had a beautiful session with Sir Paul McCartney and friends. Working on one of his many secret projects! Killer musicians, vibe, and lots of laughs," Gaga captioned a photo on Instagram of herself alongside McCartney, McCready and a room full of instrumentalists. "Always a good time with my buddy. I'll never forget when he called me last year to work and I hung up the phone cuz I thought it was a prank!"
By: Caitlin Carter
Source: Music Timesdetails
All My Loving Review | Dir. Tony Palmer
“We met over a great deal of brown rice and he said, 'you have a duty’”, director Tony Palmer explains about an early encounter with The Beatles star, John Lennon, and so the blossoming of All My Loving began.
A film about pop in 1968, initially to be aired on the BBC after the epilog, hit London cinema screens again recently. “Everyone demands the existence of heroes...here in Liverpool were born four heroes, The Beatles”, an amusing Pathé news voice states. Offering conflicting views from within the industry, “If it sells, who cares” declares Eddie Rogers of Tin Pan Alley, while The Who’s Pete Townsend argues, “It's crucial it (pop music) should remain as art.” These stand points show that this doc is still tackling focal issues within the music industry some 40 years after it’s making, perhaps Paul McCartney's insight that “Pop music is the classical music of now”, is still relevant.
To say this is only the second film made by Palmer, it is an achievement, though you could be completely forgiven for thinking that it doesn’t do what it says on the tin. Less a documentary ab details
Collection of nonsense rhymes will be heard in full for the first time, 35 years after the former Beatle’s death.
Thirty-five years after his death, the first unabridged performance of John Lennon’s nonsense poetry will take place at the Edinburgh festival fringe after a crowdfunding campaign reached its target.
Backed by the musician’s widow, Yoko Ono, who said she might travel to Scotland to see the production later this summer, the new adaptation is the first time In His Own Write – Lennon’s wordplay-obsessed collection of nonsense rhymes and drawings – will have been performed since Lennon read extracts of it on television in 1964.
Baldynoggin Productions has cast three actors for the show, including director Jonathan Glew, who was responsible for getting permission to use In His Own Write from the Lennon estate. The estate, run by Ono, is notoriously careful about granting access to any of the Beatle’s works.
“I basically spent a week writing the best letter of my life,” Glew told the Financial Times. He said he had decided to go to the free fringe – where production companies are not charged for venue rental, provided they offer fr details
In his signature song for a little pop group from Liverpool, England, Ringo Starr warbled "I get by with a little help from my friends."
Well, those friends better be proficient in iCal and multitask scheduling because the diminutive Billy Shears is a little busy these days.
Starr, recently inducted into the Rock and Roll Hall of Fame as a solo artist (the last Beatle to be so honored), has released a new CD, "Postcards From Paradise." He's the face of both a new ad campaign for Skechers and his own #PeaceRocks social media movement. And he's headed back to the concert trail this fall with the latest version of the All Starr Band.
Did we mention that he turns 75 on July 7? And that he has, thanks to an insanely healthy lifestyle, plenty of boundless energy (as Houstonians saw firsthand last year during his gig at The Woodlands) and only a slightly higher body-fat percentage than, say, Gollum.
In the first major biography of the "funny Beatle" in nearly a quarter century, Michael Seth Starr (no relation) charts the life and career of the man born Richard Starkey.
The book separates Starr's life into three parts: pre-Beatles, Beatles and Post-Beatles. Readers learn that growing up, Starr - details
Sean Lennon recently gave an exclusive interview to the Humanity, the biannual publication of denim brand Citizens of Humanity, where discussed his inspirations (perhaps unsurprisingly, his famous parents John Lennon and Yoko Ono rank high on the list), his favorite Beatles songs, and what he thinks about Kanye West working alongside his father's former collaborator, Paul McCartney.
Lennon attributes his first musical efforts to the work of his prodigious father, but not in the way you might think -- “It’s not like I had the Beatles hanging out jamming in my house," he says. "When he died," he tells Humanity, "I remember feeling like there was sort of a vacuum that had been left. I used to just try to play the piano to connect with my idea of what I thought he was, being a musician and stuff. I think at first my inspiration came from just wanting to find some connection to my dad."
His mother, Yoko Ono, is equally inspiring as a musical collaborator. “She’s incredible in terms of her lyrical capability," he tells the magazine. "I mean she’ll write like 3 or 4 songs a day in the studio. That makes it really fun, so often we’ll make it up as we go along.” Lennon's favorite details
This week’s edition of Deep Beatles could be retitled “A Tale of Multiple Mixes.”
Originally intended for the Hard Day’s Night soundtrack, the Beatles’ “I Call Your Name” stands out for its cowbell-led percussion, unusual musical structure, and distinctive guitar solo. While omitted from the album due to its slight similarity to “You Can’t Do That” (chiefly its cowbell), “I Call Your Name” resurfaced on the Beatles’ 1964 UK EP Long Tall Sally and the U.S. Capitol release The Beatles’ Second Album. Today, it can be found on the Past Masters compilation.
John Lennon had been hanging on to “I Call Your Name” since the Beatles’ pre-Hamburg days, according to a 1980 Playboy interview. “That was my song. When there was no Beatles and no group, I just had it around,” he said. “It was my effort as a kind of blues originally, and then I wrote the middle-eight just to stick it in the album when it came out years later. The first part had been written before Hamburg even. It was one of my ‘first’ attempts at a song.” In a 1994 interview, Paul McCartney recalled helping Lennon revise the details
Yoko Ono is a towering figure in the twentieth-century art and music worlds. She was one of the main artists behind the Fluxus movement, and her performance and visual art and sound experiments had made her famous before she ever met her future husband, John Lennon of The Beatles. Lennon was a visual artist as well as a musician; his simple, spare and playful art was as accessible as any of his music and imbued with a similarly unique creative vision. Ono is now exhibiting some of Lennon's visual art at various art galleries around the country, including Fascination Street Fine Art, where special prints are for sale. We recently spoke with Ono about her late husband's artwork, its populist sensibility and the importance of giving.
Westword: You're displaying the art of John Lennon around the country. As someone who was involved in the avant-garde art world early on, including being part of the Fluxus movement, how would you say that John's work fits in with the history of art?
Yoko Ono: One day, a long, long time from now, maybe [it will fit in with the history of art]. Things go very fast, so I don't know when that's going to be. But I think John's work will be very highly rated because not one artist I see in details
Paul McCartney had been on the road for nearly a year when his Flowers in the Dirt tour finally touched down in Liverpool on June 28th, 1990. This was a special night since McCartney had been completely off the road since the final Wings trek in 1979, and this was his first show that centered around Beatles tunes. A humongous crowd showed up at King's Dock to watch the local hero and cameras were rolling for a television special.
The year also marked the 50th anniversary of John Lennon's birth, and McCartney wanted to do something memorable at the show to mark the occasion. "So much gets said about me and John," he said at the time. "And we had barneys [British slang for fights], plenty of barneys. I like the idea of putting that to rest by playing a small tribute to to him."
He pulled that off by performing a long medley that incorporated "Strawberry Fields Forever," "Help!" and "Give Peace a Chance." It was the first time he'd ever played those songs live, and he picked them since they were quintessential Lennon tunes. "To me, 'Give Peace a Chance' is one of John's big statements to the world," McCartney said. "I'm not trying to make a saint out of him, but the Vietnam War was bought to a close by a mill details
When your band features a Beatle (George Harrison), a Heartbreaker (Tom Petty), The Bard (Bob Dylan), The Voice (Roy Orbison) and The Sound (Jeff Lynne), you're gonna be a pretty impressive outfit.
What's your favorite supergroup? There are plenty to choose from, to be sure.
Cream. Blind Faith. Derek and the Dominos. (OK, enough of the Eric Clapton groups.)
And there's Crosby, Stills, Nash & Young. The Highwaymen. Damn Yankees. Mad Season. Chickenfoot. Them Crooked Vultures. Velvet Revolver. Those are just the ones I can think of. There are certainly more.
My favorite? No question. The Traveling Wilburys.
When your band features a Beatle (George Harrison), a Heartbreaker (Tom Petty), The Bard (Bob Dylan), The Voice (Roy Orbison) and The Sound (Jeff Lynne), you're gonna be a pretty impressive outfit. If you've never heard the music of the Traveling Wilburys, take a few minutes and spend some time on YouTube. (I won't tell your bosses, colleagues or family members ... go ahead.) Let me know when you're done.
By: Chris Shields
Source: St. Cloud Times
Global Beatles Day was founded, not with commercial purposes, but to commemorate their music and celebrate them collectively and individually. Even further tan Ringo Starr, Paul McCartney, John Lennon and George Harrison's magical tunes, The Beatles were huge on promoting peace and love, truth and youth, and most of all, the expansion of human consciousness. They explored the expansion of rhythm and blues, rock and roll, until they innovated and found new ways to make music. GBD is celebrated on June 25th because the hit song “All you need is love” was performed by The Beatles on the BBC produced program, Our World, on that same day in 1967.
In order to celebrate the four musicians, we’ve compiled a series of their greatest quotes; some of which made it into their song lyrics, and some others just went down in history.
“Life is what happens while you are busy making other plans.” – John Lennon
“And, in the end, the love you take, is equal to the love you make.” – Paul McCartney
“It's all in the mind.” – George Harrison
“Time you enjoy wasting, was not wasted.” – John Lennon
Perhaps the most surprising thing about Paul McCartney’s recent collaborations with rap superstar Kanye West — apart from the fact that Paul McCartney actually collaborated with Kanye West — is how dominant the former Beatle is on each song.
Though it’s coated with auto-tune and sung by West, “Only One” is the kind of crackling oddball that would sit right at home on 1980’s weird but sincere McCartney II, its punch-drunk keys and effects dropping out intermittently to reinforce West’s intense love for his young daughter and late mother.
“FourFiveSeconds” is sung largely by R&B hitmaker Rihanna. Its words are an ode to club-life catharses — “I think I’ve had enough/ I might get a little drunk/ I say what’s on my mind/ I might do a little time” — and it leans heavily on Rihanna’s serpentine croon and West’s earnest speak-singing. But the bright jangle of McCartney’s acoustic guitar and the ebullient lilt of the song’s infectious chorus recall the underrated joys of 1971’s Ram.
Following the December release of “Only One,” a shower of uninformed Twitter users reacted details
But Berwyn Mountains flying saucer investigator Russ Kellett insists the drawing of an encounter Lennon had with a flying saucer in New York is genuine.
The former girlfriend of John Lennon is reported to have claimed a rare drawing of a UFO by the Beatles legend, acquired by an expert on one of North Wales’ greatest mysteries, is a fake.
Russ Kellett, is known for investigating the 1974 UFO Berwyn Mountains incident involving theories of an extraterrestrial craft crashing in the area.
Mr Kellett said a few months ago he bought Lennon’s sketch of an encounter he had with a flying saucer in New York - the same year as the North Wales incident.
However May Pang, who was with Lennon at the time of their alleged UFO sighting in New York, has reportedly told the online magazine examiner.com it is a fake. She is reported to have said: “Seriously???!!!! This is not anything close to his drawing style. He never drew another one of the UFO sketch when he was with me. I have that one. He definitely would not draw one when he was living with Yoko and me in the pic.”
By: Steve Bagnall
Source: Daily Post
Stuart Fergusson Victor Sutcliffe (23 June 1940 – 10 April 1962) was a Scottish-born artist and musician best known as the original bassist for the Beatles. Sutcliffe left the band to pursue his career as an artist, having previously attended the Liverpool College of Art. Sutcliffe and John Lennon are credited with inventing the name, "Beetles", as they both liked Buddy Holly's band, the Crickets. The band used this name for a while until Lennon decided to change the name to "the Beatles", from the word Beat. As a member of the group when it was a five-piece band, Sutcliffe is one of several people sometimes referred to as the "Fifth Beatle".
When the Beatles played in Hamburg, he met photographer Astrid Kirchherr, to whom he was later engaged. After leaving the Beatles, he enrolled in the Hamburg College of Art, studying under future pop artist, Eduardo Paolozzi, who later wrote a report stating that Sutcliffe was one of his best students. Sutcliffe earned other praise for his paintings, which mostly explored a style related to abstract expressionism.
While studying in Germany, Sutcliffe began experiencing severe headaches and acute sensitivity to light. In the first days of April 1962, he collapsed in th details
An Omaha teenager had a part-time job and money to spend. He had his own bedroom, with four blank walls. And he had a major man-crush on the Beatles.
The logical thing to do? Buy some costly acrylic paint and create a “Yellow Submarine” mural. It took more than a year and some trial and error, but when it was done, it made him proud. He signed his name and the date at the bottom: Jay Dandy, 1977.
It turns out that Dandy’s love for pop art and iconic artists such as Andy Warhol and Roy Lichtenstein — and his affinity for the colorful decade that put them in the spotlight — have influenced a fair piece of his life since he moved away from Omaha.
He got an art history degree, became a pop art collector, met some influential people in the art world and now is a research assistant in the modern and contemporary art department at the Art Institute of Chicago.
To Dandy’s gratification, visitors to a late-spring estate sale at his childhood home still were able to see his pop-art masterpiece more than 35 years after he painted it.
By: Betsie Freeman
Source: World Herald
He entranced The Stones and beguiled three-fourths of The Beatles.
Allen Klein managed the careers of them all for a good spell, making him one of the most important money men in the history of the music business. Until Fred Goodman's witty, gossipy and wonderfully well-researched new book, however, no one had the full skinny on the guy.
"Allen Klein: The Man Who Bailed Out The Beatles, Made The Stones and Transformed Rock n Roll" (Houghton Mifflin Harcourt $27) tells the amazing tale of how its subject managed to woo the top stars of the day, with a formula that enriched them while enriching himself far more.
Tellingly, Klein didn't develop artists from scratch. His m.o. involved stalking established stars who were being underpaid by their record companies. Since nearly every musician was in that unfortunate position during Klein's peak years (the '60s and '70s), his predatory methods had plenty of takers.
During his reign, Klein managed Sam Cooke, Bobby Vinton, Donovan and The Kinks, along with Jagger and company and all the Beatles save Sir Paul. (McCartney opted to go with his father in law, John Eastman.)
Goodman, who previously penned "The Mansion on the Hill," which examined the ri details
A new show at the Royal Albert Hall offers a faithful glimpse of the sessions that led to Revolver and Sgt Pepper’s Lonely Hearts Club Band
The creator of a new stage musical based on the Beatles’ Abbey Road sessions wants to introduce the Fab Four to the MP3 generation.
The Sessions at Abbey Road — at the Royal Albert Hall next year — will recreate the process by which albums such as Revolver and Sgt Pepper’s Lonely Hearts Club Band were made in front of a live audience inside an exact replica of the legendary Studio Two.
The two-hour performance, described as a “musical documentary”, will span the Beatles’ career using period equipment, 39 musicians and eight singers.
The studio will be replicated, based on the recollections of studio chief engineer Geoff Emerick, but executive producer Stig Edgren told the Standard the actors would not be lookalikes of John Lennon, Paul McCartney, George Harrison and Ringo Starr.
He said: “It’s the most daunting challenge of my career. The most honourable musical event I think I will ever be involved in. I really want to bring this to a new generation. I have 29-year-old twin daughters who hav details
TORONTO - Whether hanging out on a roof with John Lennon, on a runway with Led Zeppelin, or on a subway car with the Ramones, rock photographer Bob Gruen has always had a knack for capturing the moment. He once played bugle for the Clash, he served as personal photographer to Lennon and Yoko Ono, and his 69th birthday party last year attracted the likes of Alice Cooper, Billie Joe Armstrong and Debbie Harry. Toronto's Liss Gallery is hosting an exhibition and sale of the New Yorker's most-famous work beginning Tuesday and running to July 11. Ahead of his trip, Gruen shared the stories behind some of his most famous photographs.
JOHN LENNON Gruen took many photos of Lennon during his post-Beatles American phase, but none more famous than his shots of Lennon peering into the camera behind circular shades, lanky arms exposed under a sleeveless shirt reading "New York City." The shirt was a garment unique to the sidewalks of Times Square that Gruen used to buy in bunches. He cut the sleeves off one to lend it a "New York look" and gifted it to Lennon. A year later, Gruen was shooting Lennon on the roof of his apartment and, noticing the distinctive skyline, Gruen suggested Lennon wear the shirt, if he still had it (to Gruen details
The rocker annually celebrates his birthday by asking fans to stop at noon wherever they are and offer up a 'peace and love' salute, while sending out positive vibes to the world - and this year, he's planning to stage his own special moment at the Hollywood landmark, which holds a special place in Beatles lore.
Next month's (07Jul15) peace and love moment will mark the 10th anniversary of Ringo's birthday initiative.
For a living legend whose entire career has consistently been redefined, it's a given that Sir Paul McCartney's headlining set at Firefly 2015 on Friday (June 19) would be career-defining, yet again. And on the second night of the four-day fest, the Beatles icon showed that not only does he consistently up himself, but he outshone the bounty of young talent that rocked the stages at the Delaware festival earlier in the day.
As a consummate performer, the 73-year-old kept the energy cranked for the duration of his near two-and-a-half hour show, running through a string of classics spanning his work with the Beatles, Wings and as a solo artist. Affable and jovial, he demonstrated musical versatility with ease -- strumming a ukulele, pounding a piano, plucking an acoustic guitar -- as well as endurance, for his first ever show in the first state.
McCartney began promptly at 10 p.m. following a riotous set from Run the Jewels on the adjacent stage. The crowd swelled to a remarkable volume--vastly larger than that of Morrissey, who played to a shockingly minute attendance hours prior--as Macca kicked off with "Birthday" and new cut "Save Us," setting the tone for the ebullient evening.
"We're gonna have a bit details
Ever since he’d been singled out as a “natural” in A Hard Day’s Night, Ringo Starr had decided he was an actor. Of course, what he was good at was playing Ringo the Beatle, but after Help! there were to be no more Beatles movies (the kind that actually required them to “act,” anyway). So our boy decided to cast about for outside projects.
Ringo Starr’s first film was the 1968 sex romp Candy, which turned out to be one of those British “comedies” that starred an especially attractive young woman getting into all sorts of naughty mischief (see Wonderwall) and a load of artsy-fartsy filmmaking gibberish. This was, of course, the time of heavy drug use among those with money and high profiles (see Head), and so Candy, based on a satirical Terry Southern novel, with a Buck Henry screenplay, probably looked like a laugh riot to those who put it together.
Inexplicably, Ringo was cast as a Mexican gardener who has sex with the titular character (Ewa Aulin) on a pool table. The role required him to do little more than babble in a bad Spanish accent.
Next was The Magic Christian, also by Terry Southern. Everybody knows about this one, because it had a hit song details
Before I get started with the third part of these series of articles that look at several songs by The Beatles that may have slipped through the cracks and minds of casual fans I would like to clarify something: every single song that I have listed in these articles is one that I have listened to many times and I obviously know its value and importance. I also understand that most people reading this post are in the same position. Last but not least, I would like to wish Paul McCartney a Happy 73rd birthday.
5. Two of Us
"Two of Us" is a song written by James Paul McCartney that appears in Let it Be, The Beatles' penultimate album where recording is involved, but the last one to be released. The song was recorded live during The Beatles' famous rooftop concert at London's Apple Studios on January 30, 1969. Paul McCartney claims that he wrote this song for his first wife Linda, but several critics have expressed their belief that part of the lyrics at least are aimed at John Lennon. Their friendship was in shambles at that point in time.
The story behind the song's lyrics is filled with nostalgia. The first verse talks about two people going on a drive on their way back home. The second one is about writi details
"We didn't want to appear as a gang of idiots" -- a very young Paul McCartney.
To celebrate McCartney's birthday on June 18, The Huffington Post has pulled together 11 obscure pieces of trivia about The Beatles from their earliest interviews.
1. The Beatles essentially wore head to toe leather on stage for awhile, which McCartney said got them laughed at "more often than not."
For a BBC interview the band did in August 1963 -- George Harrison, John Lennon and Paul McCartney all talked about the early fashion ideas they picked up from Hamburg, Germany. Lennon couldn't remember which of them was the first to don a leather jacket, but eventually they all got their own. When they acquired a bit more money soon after, they all bought leather pants for their stage performances, as well. "It was a bit, sort of, old hat anyway -- all wearing leather gear -- and we decided we didn't want to look ridiculous going home," McCartney explained of why the leather didn't stick with the group. "Because more often than not too many people would laugh. It was just stupid. We didn't want to appear as a gang of idiots." According to the interview, their manager Brian Epstein convinced them that they looked ridiculous and sug details
This concert will undoubtedly prove one of the high spots of the entire 2015 Festival of Chichester. In fact, one of the high spots of our three Festivals of Chichester so far.
Tribute is a much-debased word and one the musicians would probably resist, but a tribute in the truest, finest sense was precisely what they delivered: a celebration of George Harrison’s music, delivered with huge affection and immense skill.
Harrison’s nature was to be the “quiet one”, the one all too easily overlooked. But quietly he amassed an astonishing body of work which, post-Beatles, tumbled out on the astonishing triple album, All Things Must Pass – the starting point, the end point and indeed the name for Alex Eberhard’s hugely-impressive ten-piece homage. On a wonderful night for the festival, for the band and for everyone in the audience, All Things Must Pass ranged widely through Harrison’s work from his Beatles days through to his posthumously-released final album.
They did so with brilliance, daring to do their own thing at times but always capturing the spirit of the music and the man, quite probably the most fascinating of all the Fab Four. Alex’s vocals were close, details
The former Beatle gets personal.
This January marks the tenth anniversary of the Beatles' appearance on the American charts. Last month Rolling Stone conducted its first full-scale interview with Paul McCartney, in six sessions starting in a London recording studio and ending on a New York street. The New York sessions took place the day after McCartney had entered the US for the first time in two years, visa problems stemming from two marijuana violations now finally resolved.
McCartney was cautious in his responses during the first two sessions. He and Linda remembered being on vacation in Scotland when they were first shown John Lennon's lengthy interview (Rolling Stone Number 74 and Number 75, January 21st and February 4th, 1971), and having been deeply hurt by it. At first he seemed to want to avoid the kind of controversy Lennon's interview had generated but in later conversations he became freer with his answers.
Because the various sessions were necessarily disconnected, our text does not follow in all cases the actual sequence of questions. For example, McCartney's discussion of his legal difficulties is compiled from three separate conversations. One of those discussions was prompted by an inci details