The paths of rock legends George Harrison and Bob Dylan first crossed in 1964, sparking a friendship that would profoundly shape both their lives and music. This unexpected bond inspired a deeply personal co-written song that opened Harrison's iconic debut solo album, a poignant ballad celebrating loyalty and connection.
The Beatles, already global sensations, first encountered Bob Dylan in 1964 during their American tour. This meeting proved pivotal, with Dylan famously introducing the Fab Four to marijuana and influencing their shift towards more introspective songwriting. George Harrison, in particular, was drawn to Dylan's lyrical depth and unique artistic vision.
By late 1968, a frustrated George Harrison, feeling stifled within The Beatles, sought refuge at Bob Dylan’s home near Woodstock, New York. Dylan, recovering from a motorcycle accident, was at a quieter, more guarded period in his life. Harrison noticed Dylan's reticence, prompting a desire to connect.
Source: MSN/Jose Williams
By the end of their recording career, The Beatles had the benefit of three standout songwriters. John Lennon, Paul McCartney, and George Harrison all possessed the ability to spin out a classic at a moment’s notice.
But that wasn’t always the case. It took a while for Harrison to find his songwriting legs. His first song recorded with the band was a bit of an oddball that reflected George’s willingness to push against the norms, a characteristic that would remain a hallmark of his writing throughout his career.
When considering George Harrison’s late-bloomer status as a songwriter within The Beatles, it’s important to remember that he was the youngest member of the group. John Lennon and Paul McCartney were both writing songs at a very young age.
As a result, they had a massive head start in terms of honing their songwriting craft. Not only that, but Lennon and McCartney understood the financial edge that they possessed by cultivating a stronghold on the songwriting duties. While they might have encouraged Harrison to write, they didn’t exactly twist his arm.
For his part, Harrison didn’t force himself to write until he was ready. There were n details
The largest collection of Paul McCartney’s personal artifacts ever publicly displayed is part of a new exhibit at the Rock & Roll Hall of Fame centering on his life after The Beatles.
“Paul McCartney and Wings,” which opened Friday in Cleveland, explores the musician’s reinvention after leaving the iconic British rock band through displays of instruments, handwritten songwriting notes and photographs taken by his wife, Linda McCartney, who was keyboardist and harmony vocalist for Wings during its decade-long run from 1971 to 1981, when the band produced hits including “Band on the Run,” “Silly Love Songs” and “Live and Let Die.”
After the breakup of The Beatles, Paul McCartney was no longer just the musician who had been known around the world since his teenage years, but a husband and father of a young family. What he built with Wings reflected that new stage of life, said Andy Leach, the Rock & Roll Hall of Fame’s senior director of museum and archival collections.
Leach said the band’s embrace of domestic life — bringing children on tour, having a married couple perform together and writing songs inspired by his wife details
Steven Soderbergh’s upcoming John Lennon documentary film recently received an exciting update. Just days after unveiling its official title, the project seems to be gaining momentum ahead of its special screening at Cannes.
What’s the latest update on Steven Soderbergh’s John Lennon movie?
Steven Soderbergh’s movie, John Lennon: The Last Interview, has launched sales through 193, a Legendary-backed sales and production company founded by Patrick Wachsberger. With this movie, 193 has expanded into the category of premium nonfiction movies.
The documentary features exclusive access to the Beatles icon’s final, in-depth conversation, reports Variety.
Its official synopsis reads, “On December 8, 1980, Lennon and Yoko Ono sat down with a small radio crew in their New York apartment to promote the release of their album Double Fantasy. What followed was an unfiltered, wide-ranging discussion about music, politics, fatherhood, and life. Just hours later, Lennon was killed.”
Helmed by Soderbergh, the movie presents “the complete interview for the first time, framed by reflections from those who were present, revealing a man at the height of his creati details
Geoff Emerick was just a teenager in June 1962, employed as an apprentice sound engineer at EMI Studios (later renamed Abbey Road), when a then-little-known English rock band recorded a demo in the studio.
John Lennon, Paul McCartney, George Harrison and drummer Pete Best laid down four tracks that day — “Bésame Mucho,” “Love Me Do,” “PS, I Love You,” and “Ask Me Why” — on a magnetic recording tape, which was then shuttled over to record producer George Martin at EMI’s headquarters on Manchester Square.
You know the rest: After ditching Best for Ringo Starr, The Beatles broke out with “Love Me Do,” launched Beatlemania, and became the most famous band of all time. Emerick rose with them, serving as chief engineer on iconic records like Abbey Road and becoming what Variety once called the “behind-the-scenes brains that helped shape the Beatles sound.”
But here’s what you probably don’t know: Emerick held onto that demo tape, which had been sent to a nearby squash court where “tapes went to die.” He kept it in his possession for decades, all the way until his 2018 death, when it was disc details
Sir Paul McCartney has named John Lennon’s Imagine as one of the songs that mean the most to him.
Sir Paul chose the song as his final entry for Tracks of My Years on Radio 2, a feature in which a celebrity selects pieces of music that have soundtracked different periods of their lives. Imagine was released in 1971, a year after the Beatles officially split.
“It’s just such classic by John. It was after we split up, so I wasn’t with him when he wrote it. It’s just one of those songs, when you hear it for the first time, you know it’s a killer. And I still love looking at footage of him singing it.
“It’s an anthem, the kind of thing everyone can relate to. It just sums a lot of things up, and it’s got to be one of John’s best songs,” Sir Paul has said. Lennon and Sir Paul were estranged following the band’s break-up but were reconciled before Lennon’s death in 1980.
At the Glastonbury Festival in 2022, Sir Paul sang a “virtual” duet of I’ve Got a Feeling with Lennon, using Lennon’s performance from the 1969 Apple rooftop concert. Other songs he has chosen for Track details
When you’re as big a band as The Beatles, it’s pretty much impossible to escape the impact of your career-defining hits. These guys have quite a few, but here are some of those big ones that we’d rather not get stuck in our heads again.
“Here Comes The Sun”
Ah, yes, the song George Harrison wrote when he needed a break from The Beatles and business. While “Here Comes The Sun” is one of the Fab Four’s most celebrated tunes, it’s played so much that it’s kind of a challenge not to be a little sick of the thing.
“I Wanna Hold Your Hand”
Yeah, we get it. John Lennon and Paul McCartney really, really wanted to hold somebody’s hand. But gosh darn it, can’t they sing about anything else?
This song is fun, but there’s only so much doo-wop one person can take in one go. To be fair, though, “I Wanna Hold Your Hand” was the first Beatles song to give the group a No. 1 hit in the States. No wonder it gets played so much.
“‘From Me To You’ was released – a flop in America,” Paul McCartney even said of that time in the Anthology. “‘She Loves You’ &ndash details
Sir Paul McCartney says one of his new songs was inspired by people suffering from “hardship” and admitted even he sometimes has to fight feeling ‘depressed”.
The Beatles legend, 83, releases his first album in almost five years later this month called The Boys of Dungeon Lane. Amongst the 14 tracks is the song Life Can Be Hard, written around the covid pandemic.
Reflecting on the times people in Britain were going through then and their troubles now, Paul said: “There's a lot of hardship for many people - some people might have a health issue, a financial issue, whatever. Everyone's got something, but we've got to beat our way through those hardships.”
He said the song was about crawling out of a crisis or falling back in love with the world. Speaking in Mojo magazine, he added: “It beats the alternative, you know? The alternative is your life turns sour, and I don’t want that to happen. I don't want to get depressed, so I fight it and think, Come on, you've got a lot of good stuff going on. Concentrate on that. It's not always easy - in fact, it's never easy.”
Another track on the album is Come To Us which was r details
The London townhouse where the Beatles recorded Let It Be, and, on the rooftop, performed their last concert, will open to the public next year as a museum. Among the promised attractions are a recreation of the Let It Be studio, rotating exhibitions, and a bevy of archival material spread across seven stories. Paul McCartney, who is preparing to release his album The Boys of Dungeon Lane this month, recently returned to the venue. “It was such a trip,” he said in a press release. “There are so many special memories within the walls, not to mention the rooftop. The team have put together some really impressive plans and I’m excited for people to see it when it’s ready.”
Though several unlicensed Beatles archives exist around the United Kingdom—including in the band’s Liverpool hometown—the new one, formally named The Beatles at 3 Savile Row, is the first to be officially ordained by the band and its label, Apple Corps. The building, in London’s Mayfair district, is already a tourist destination, Tom Greene, the label’s CEO, added in the press release. “Every single day, fans are taking pictures of the outside of 3 Savile Row—but next year they details
As The Beatles’ career progressed, the once innocuous band became politically, if not culturally, aware. To varying degrees, The Beatles started to take on more serious topics and develop a worldview that wasn’t always popular. John Lennon was one of the band’s strongest voices in that department.
Towards the end of the band’s tenure and into his solo career, Lennon protested many things, speaking out against world leaders, religion, and war. That change of heart and attitude eventually led him to return one of the most prestigious awards given to an English musician: an OBE, a.k.a Officer of the Order of the British Empire.
Not many people return their OBE once they get it. To many English artists, earning that mark of approval from the monarchy is something to celebrate. At one point, Lennon also thought so.
“I had no problem with it—none of us had any problems with it in the beginning,” Lennon once said. “We all thought it was really thrilling. We’re going to meet the Queen, and she’s going to give us a badge. I thought, ‘This is cool!’”
But as time went on and Lennon’s view of England and the details
Discover the story behind the collaboration and why Beatles fans are calling it a special moment.
Two surviving members of The Beatles have reunited once again, as Ringo Starr and Paul McCartney join forces on the newly released duet “Home to Us.” The track marks another rare collaboration between the legendary musicians and has already sparked excitement among Beatles fans around the world.
“Home to Us” blends warm acoustic instrumentation with reflective songwriting, capturing the nostalgic chemistry that has defined the pair’s musical relationship for decades. While both artists have collaborated several times since The Beatles split in 1970, each reunion still carries enormous emotional weight for listeners who grew up with their music.
The song reportedly began as a solo idea before evolving into a collaborative recording featuring contributions from both Starr and McCartney. Fans have praised the track’s intimate feel, with many highlighting the contrast between McCartney’s melodic bass work and Starr’s instantly recognisable drumming style. Lyrically, the song centres around themes of friendship, memory, and finding comfort in familiar places — details
If you’re even a casual Beatles fan, you can probably reel off the names of some of the songs sung by Ringo Starr without any trouble. But songs that were actually written by Starr (at least partially) are much fewer and farther between.
In 1965, Starr finally received a songwriting credit on the song “What Goes On”. Even on that one, his contributions were likely on the minimal side.
When Ringo Starr joined The Beatles in 1962, he proved a perfect fit with his exquisite musical timing and affable personality. He could also step out in front and sing when asked. The group gladly utilized that latter skill when they played live.
In addition, they made sure that Starr would also get a chance to provide at least one lead vocal on each of their studio albums. Often, they chose cover songs for him to sing. Occasionally, John Lennon and Paul McCartney would work up an original like “I Wanna Be Your Man” for him.
But Starr didn’t write his own material in those early days. Since he didn’t have much facility on guitar and piano, it was difficult for him to get it done in a musical sense. And, as George Harrison also discovered in the early years of the grou details
Sir Paul said the idea to move back in was proposed by Tom Greene, who became CEO of Apple Corps in 2025, after previously working on the Harry Potter franchise.
"He's a live wire and he's bringing a lot of energy into looking at what the Beatles mean, and what people want these days from us," said Sir Paul.
In a statement, Sir Ringo Starr said revisiting the property recently was "like coming home". Sir Paul called it "such a trip".
"There are so many special memories within the walls, not to mention the rooftop. The team have put together some really impressive plans and I'm excited for people to see it when it's ready."
Fans can already see Beatles memorabilia at Liverpool's Beatles Museum and the nearby Beatles Story - but neither are officially licensed by the band.
People also flock to Sir Paul's childhood home in Allerton, Strawberry Fields and the house where George Harrison was born in Wavertree.
The locations are so popular that, last week, a code of conduct was introduced for tour guides and visitors, in order to protect local residents.
Meanwhile, both Sir Paul and Sir Ringo are releasing new music.
Source: bbc.com/Mark Savage
detailsNo matter how successful and world-renowned a musician becomes, there will still be a “suit,” or record label executive, telling them what to do—Paul McCartney being no exception. When the former Beatle felt pushback from his labels in the mid-1990s, the artist in him was ready to take offense.
But by the mid-1990s, McCartney was no spring chicken in the industry. He knew that there were silver linings to the favor-slash-command EMI and Capitol were expecting. And as is often the case in rock and roll history, this temporary delay ended up working in McCartney’s favor. Paul McCartney Was Asked (Or Told) Not to Make Another Album
In the mid-1990s, Capitol in the United States and EMI in the United Kingdom were gearing up to release three albums as part of their massive Beatles Anthology series. Speaking with Billboard in 1997, Paul McCartney recalled, “One of the bigwigs at the record company said, ‘We don’t want a [solo] record from you for the next two years. We don’t really need a record off you for a while.’ I was almost insulted at first.”
And indeed, it’s easy to see why he would be. Who tells Paul McCartney not to make new details
It wasn’t all that often that all four Beatles were active at the same time as solo artists. Whether or not they consciously steered away from releasing music on top of each other isn’t clear. But you’ll note there aren’t too many years when all four put music out to battle for the public’s attention.
The year 1974, however, was a different animal. In fact, the US pop charts featured all four with at least one big hit single at some point during that calendar year. Here’s a look back.
We think about the mid-70s as a bit of a wayward period for John Lennon, what with the whole “Lost Weekend” and all. But he pulled focus quite well for his Walls And Bridges album in 1974. He cleaned up while making the album and insisted that all around him do the same. And he produced it himself, steering clear of any Phil Spector chaos in the process. Lennon also received some help from a friend to score what was his first No. 1 hit as a solo artist. Elton John came aboard to perform a rollicking duet with Lennon on “Whatever Gets You Thru The Night”. The song’s success famously led to Lennon appearing with Elton live at Madison Square Garden.