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As the future Beatles members grew up in Liverpool, they keenly listened to songs of the day, learning them for their local gigs. While imitating these popular artists, they were also honing their own songwriting and musicianship skills. During the summer of 1957 — still in their pre-Beatles group, the Quarrymen — John Lennon, and Paul McCartney began experimenting with writing songs.

Just a year later, George Harrison, Lennon and McCartney found themselves in a crude recording studio, singing into one microphone, laying down two tracks: a cover of Buddy Holly’s “That’ll be the Day” and a Harrison-McCartney composition (yes, you read that correctly) entitled “In Spite of All the Danger.” A blend of doo-wop, rockabilly, and rock and roll, the song is first time that Harrison, Lennon, and McCartney would appear on a recording.

“In Spite of All the Danger” represents one of McCartney’s earliest compositions. In Barry Miles’ Many Years from Now, McCartney described how the two would ditch school to write songs together during summer 1957. Once McCartney’s father left the house for work, the two friends would settle in for a three-hour comp details

PAUL McCARTNEY HELPS MOJO celebrate 50 years of the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band with an exclusive interview in the magazine that hits UK shops on Tuesday, April 25. He recalls the circumstances surrounding the group’s most groundbreaking album and gives his verdict on the new stereo mix designed to add legs to one of popular music’s key benchmarks.

But as McCartney reminds MOJO, before Sgt. Pepper became an icon, there was a period of critical bemusement. How dare Beatles band go all weird?

“We were always being told, ‘You’re gonna lose all your fans with this one.’” McCartney tells MOJO. “And we’d say, ‘Well, we’ll lose some but we’ll gain some.’ We’ve gotta advance.”

In 1967 The Beatles ran the gauntlet of a media gripped in a moral panic over the younger generation’s embrace of drugs, and others who regarded Pepper’s stylistic smorgasbord and hints of thematic coherence as evincing ideas above the group’s station. The Lovable Moptops stereotype died hard.

“Sgt. Pepper did actually get a terrible review in the New York Times,” recalls McCartney. details

Part of what established The Beatles as the greatest rock ‘n’ roll band of all time was the prolific nature of their early work.

When “Beatles for Sale” released on Dec. 4, 1964, it became the Fab Four’s fourth album in less than two years’ time. And it came out only 21 weeks after the band’s third album, “A Hard Day’s Night.”

Some might view “Beatles For Sale” as a placeholder between “A Hard Day’s Night” and “Help!,” both of which were attached to eponymous films. And while “A Hard Day’s Night” featured all original Lennon/McCartney compositions, only eight of the 14 tracks on “Beatles For Sale” were written by the band — a track listing similar to their first two albums, “Please Please Me” and “With The Beatles.”

Like other early Beatles albums, “Beatles For Sale” did not appear in the United States as an album until 1987 when the band’s catalogue was standardized for CD release. However, eight of its tracks appeared on the U.S. album “Beatles 65” and others were later released on “Beatles VI.”

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Julian Lennon is thinking about putting his life story down on paper.

During an interview with The Huffington Post at Build Series, the musical artist and environmental activist said he’s interested in writing a memoir because, after all, “Who knows how long we’ve got?” He added with a smile, “I am hopeful, by the way.”

Lennon, 54, admits that he doesn’t have the best memory, so he’d have to rely on others to fill in the blanks of his life.

“I’d like to get around to that because there are so many memories that a lot of my friends or colleagues that I work with have that I don’t recall because of the time and the place and because of where my focus was as opposed to theirs,” he said. “Even hearing the stories myself that my friends have told me and I’m going, ‘Really? I did that? OK, right.’ So, I’m just as curious, to be honest.”

Some of those fuzzy memories date back to when he was a child, growing up as the son of John Lennon.

“He walked out the door when I was about 3 or 4 years old and we only saw each other a few times,” Julian said of his father.

When aske details

Scots author Davies, 81, reflects fondly on his first experimentation with “drugs” in his new book The Co-Op’s Got Bananas! — his memoir of growing up in the 50s and 60s.

He says: “This one day Ringo gave me a ‘reefer’ to try in the 60s. I don’t smoke and I’d never taken any drugs my whole life, but I took it home to my wife.

“Well, we closed the curtains, took the phone off the hook and puffed away for half-an-hour, but felt no different and worked for the whole evening.

“The next time I saw Ringo I said, ‘I didn’t think much of your reefer’. That’s when he told me it was just cabbage leaves.”

Davies, who was born in Johnstone, Renfrewshire, was given permission to pen his biography of The Beatles as they recorded the iconic Sgt Pepper’s album.

Davies says: “I lived with them for 18 months and I was in Abbey Road during the whole making of Sgt Pepper’s.

“You know the famous photograph on Sgt Pepper? I was there in the studio at the time when it was being shot and they were going to have Hitler and they were going to have Jesus — but at the last minute peop details

Since we’re talking Record Store Day this week, I thought I’d rave about two new, high-end Beatles-related gems that emerged recently, perfect for digging up this Saturday. They'll keep you more than a little occupied while you wait for the 50th anniversary reissue of "Sgt. Pepper's Lonely Hearts Club Band," due out May 26.

In honor of the late George Harrison’s birthday in February, an extended edition of his book, "I Me Mine," was published in an absolutely stunning package.

First produced by Genesis Publications in 1980, "I Me Mine" was packed full of photos, reminiscences and hand-written song lyric sheets, reminding us that for all his serious spiritual side, George never stopped being the fun-loving Liverpool kid with a razor wit.

This new hardcover "extended" version includes another 59 handwritten lyrics and more content that will thrill Harrison fans.

It makes the perfect accompaniment to the sprawling box set that arrived at the same time, collecting all of Harrison’s 13 solo outings on vinyl. "George Harrison - The Vinyl Collection" also adds 12" picture discs of "When We Was Fab" and "Got My Mind Set On You."

By: Bobby Tanzilo

Source: On Milwauk details

In her screenplay "Revolver," Kate Trefry captures an extraordinary day in the life of Anchorage.

"It's based on my mom and her friends' experience when the Beatles landed in Anchorage in 1966," said Trefry, 30, who is from Anchorage. "My mom was 13, so my grandma locked her in the house like a lot of moms did. But a few of her friends escaped and went to the hotel where the Beatles were staying and actually got to the floor where their room was, but didn't see them."

The script is getting some industry buzz, and later this month, stars including Olivia Wilde and "Saturday Night Live" standout Beck Bennett will participate in a live table reading of "Revolver" at the Brooklyn Academy of Music.

"We're inviting financiers and producers and a lot of people that we hope want to invest or be involved in some way," said Trefry, who lives in Los Angeles.

"Revolver" also earned a spot on the 2016 Black List, a compilation of industry executives' favorite unproduced screenplays of the year. Trefry's husband, also an Alaska-born screenwriter, has a script on the list as well.

Trefry's career is getting better all the time.

Right now, she is working on the second season of "Stranger Things," details

Pete Paphides goes to Abbey Road to listen to the new anniversary edition of Sgt Peppers Lonely Hearts Club Band and marvels at the charge of the "psychedelic light brigade" that is hearing the tweaked versions of songs.

I'd heard that Sgt Pepper's Lonely Hearts Club Band was the best album of all time, so when I happened upon a picture disc, displayed behind the counter at Birmingham record shop – a snip at £2.99! – it was a no-brainer. This was 1983. I was 13. My pocket money was £5 a week. Every penny went on records, so the fact that I still had £2.01 change from the best album of all time felt like an absolute triumph. Plus! Picture disc! It would take years for me to realise that the version of Sgt Pepper I bought that day is almost certainly the most substandard one in existence. Showing a picture disc to a committed audiophile is an act comparable to showing a shower head to a cat or a picture of  Les Dennis a picture of Amanda Holden. Even worse, the version of Sgt Pepperavailable to record buyers in the early 80s was the stereo one, famously mixed in less than an hour without the band even present. It was the mono one that t details

Unlike John Lennon, the chronic oversharer avant la lettre, Paul McCartney has always been guarded about his interior life, rarely using his songs to deliver the gossip about what it’s like being Paul McCartney. For McCartney, the entertainer’s imperative is to entertain, not broadcast his angst. Moreover, he seems to find it necessary to guard, to fence off, his actual self, forever presenting himself to the world as relentlessly afflicted by goofy joy. In the immortal phraseology of a now-defunct music magazine, he is Fab Macca Wacky Thumbs Aloft. Yet on his 1989 album Flowers in the Dirt, McCartney showed, in the track “Don’t Be Careless Love,” a tormented side. The speaker, noting “the midnight lamp” burning down, resolves to stay up until his love returns home.

He continues:In my dream you’re running nowhere Every step you’ve taken turns to glue Walking down a spiral staircase Falling through, falling through. Later the singer worries about his companion being “chopped into little pieces / by some thugs.” It might be the most haunted, introspective song McCartney has ever written. For the man with everything, only one thing really mattered: Linda, hi details

Of all the art that the Beatles brought into the world, their cinematic misadventures are probably less fondly remembered than their music. But in addition to 12 studio albums, 13 EPs, and 22 singles, the Fab Four also released five films in their comparatively few years together. These efforts comprised two feature films, a TV movie, a cartoon, and a documentary, all of admittedly inconsistent quality. Looking back now, these films provide a fascinating insight into the phenomenon of Beatlemania.

For Beatles fanatics such as myself, the music alone makes them a joy to watch and re-watch, but as pieces of cinema in their own right there’s plenty to still be enjoyed and appreciated. Their influence on modern culture can be felt from music videos to animated films - perhaps not quite as iconic or ubiquitous as the band’s songwriting, but nonetheless essential in the story of British cinema.

The first Beatles film, 1964’s A Hard Day’s Night, was conceived by United Artists as a cheap cash in on The Beatles’ exploding popularity, and was shot in black-and-white for a limited budget of £500,000. Thanks to director Richard Lester, however, it’s probably the band& details

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