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When The Beatles parted ways in 1970, there was no shortage of bands vying to take the Fab Four’s place. Leading candidates included The Who, The Rolling Stones, and the upstart hard-rock outfit Led Zeppelin. And while Zep as a band was new, the group included a few old hands.

The list began with Jimmy Page, an ace session guitarist who’d played with both Stones and Who — and led the last stand of The Yardbirds. Page had brought in John Paul Jones, another familiar face on the London scene. Along with Robert Plant and John Bonham, Zep had its own version of a “fab four.”

For the remainder of the ’70s, Led Zeppelin enjoyed a level of commercial success that only The Beatles had tasted. But Page, who also served as Zep’s primary songwriter and record producer, never took the band’s success for granted.

Source: cheatsheet.com

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There seems little that can’t be sorted in life over a catch up and a cuppa. Angie McCartney, widow of Sir Paul’s late dad Jim would certainly agree with that – especially in lockdown life today.

She may have swapped her Merseyside roots and the commercial world of Littlewoods for the glamour of the Hollywood Hills where she’s had a host of top media jobs, but Angie McCartney still starts each day with a ‘nice cup of tea’.

In the ‘70s Angie, now 90, even started her own organic tea business – Mrs McCartney’s Tea – which is still going strong.

Source: theguideliverpool.com

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In case peoples are searching for enthusiasts of The Beatles, you’re going to discover them in any age gathering, race, and nationality. What’s more, in the event that you ask Fab Four fans how they tune in to the band’s music, people will see they stream and tune in to the first vinyl just as CDs, tapes, and perhaps 8-tracks.

Yet, regardless of which kind of Beatles fan you meet, you generally appear to locate the regular old discussions. Did John Lennon defeat Paul McCartney in the songwriting office? Or then again was “Quiet Beatle” George Harrison the band’s distinct advantage? Possibly it was not one or the other — they’d take Ringo over the rest.

Those contentions are ageless, and they’ve continued into the spilling period, where more youthful fans make up the mass (however not the entirety) of the crowd. Furthermore, in the most recent check it was an exemplary tune by George that outwitted the Lennon-McCartney songbook.

Source: allnewsbuzz.com

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Ringo Starr has spoken out about the wave of Black Lives Matter protests around the world, saying he is sending “peace, love and continuous support” to them.

The Beatles drummer referenced his bandmate Paul McCartney’s own message, which was shared yesterday (June 5), in his tweet.

“As my brother Paul said The Beatles always stood for equal rights&justice and I’ve never stopped working for peace&love ever since,” he wrote. “I send my peace love&continuous support to everyone marching & speaking up for justice & a better world.” See the post below.

McCartney’s message called on fans to “learn more, listen more, talk more, educate ourselves and, above all, take action”. He also reflected on a Beatles show in Jacksonville in 1964 that was meant to have a segregated audience and the band’s response when they found out.

Source: nme.com

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Many pop stars, from Elvis Presley to Mariah Carey, have tried their hand at being film stars. The Beatles stand out from the pack because they made multiple films often considered classics. A Hard Day’s Night and Yellow Submarine are often considered two of the best films of the 1960s.

Of course, not every Beatles movie was universally acclaimed. John Lennon had some very strong criticisms for some of the Beatles’ films. In fact, he said one of the Beatles films managed to infuriate the Fab Four.
In 1971, Jann S. Wenner famously interviewed John for Rolling Stone. The lengthy interview would become the most well-known of John’s career. It was even published as a book called Lennon Remembers. In the exchange, John mostly discussed music but he also shared his opinions on certain films.

Source: cheatsheet.com

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When other people discuss The Beatles, you’ll listen some knock Ringo Starr because the band’s vulnerable hyperlink. But you received’t listen Ringo’s bandmates talk that means. While Paul McCartney and John Lennon could have been laborious on Ringo now and then within the studio, they’d vouch for his or her drummer within the press.

“Ringo’s a damn good drummer,” John informed Playboy’s David Sheff in 1980. “He was always a good drummer. He’s not technically good, but I think Ringo’s drumming is underrated.”

Anyone who listens carefully to the Beatles’ recorded output would most probably agree. The factor about Ringo was once, he was once the other of showy. He refused to take drum solos (with one well-known exception) and most often have shyed away from the musical highlight.

Source: celebsyou.com

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The year 1962 had not begun well for the Beatles. On New Year’s Day they auditioned for Decca Records, but were turned down. In one of the most unfortunate errors of judgment in pop music history, Decca informed the Beatles’ manager Brian Epstein that ‘Four-man guitar groups are on the way out.’

Undeterred, within a matter of weeks Epstein was able to secure a meeting with George Martin, the producer in charge of EMI’s Parlophone label. Martin was underwhelmed when Epstein first presented him with a tape of recordings from the failed Decca audition, but sensing Epstein’s desperation he agreed to audition the group, and on 6 June the Beatles duly presented themselves at Studio Three at Abbey Road....

Source: Mick Brown/telegraph.co.uk

 

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Paul McCartney posted a statement of support for protests for racial justice on Friday. “We all need to work together to overcome racism in any form,” he wrote. “We need to learn more, listen more, talk more, educate ourselves and, above all, take action.”

He also added links to Black Lives Matter, Color of Change, the NAACP, Stand Up to Racism, Campaign Zero, and Community Justice Exchange.

McCartney then recounted a concert the Beatles were booked to play at Jacksonville’s Gator Bowl in 1964, and how when they learned that it would be a segregated audience they refused to play. “We never play to segregated audiences and we aren’t going to start now,” John Lennon said at the time. “I’d sooner lose our appearance money.” The concert ended up being the first nonsegregated audience there. After that, the Beatles incorporated a clause in their contracts guaranteeing audiences would not be segregated.

Source: Kory Grow/rollingstone.com

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Paul McCartney has shared a post celebrating Black Lives Matter, which reveals that The Beatles angrily refused to perform in front of a segregated audience in 1964.

The musician praised the protests and demonstrations taking place across the world following the killing of George Floyd while in custody of white police officers in Minneapolis..

“We all need to work together to overcome racism in any form,” he wrote in a statement on Twitter. “We need to learn more, listen more, talk more, educate ourselves and, above all, take action.”

McCartney, 77, then revealed that, in 1964, he and fellow bandmates John Lennon, George Harrison and Ringo Starr refused to play a gig in Jacksonville after discovering “it was going to be a segregated audience”.

Source: Jacob Stolworthy /msn.com

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In 1966 The Beatles had experienced four long years of Beatlemania. While many aspiring rock stars dream of being that famous, it took its toll on the Fab Four. Their infamous 1966 world tour would be their last culminating in a show at San Francisco’s legendary Candlestick Park on August 29.

But at the beginning of that summer, the band’s old friend Ed Sullivan came calling wanting The Beatles to perform where American Beatlemania had all started in early 1964, The Ed Sullivan Show. Already feeling burned out, The Beatles decided to send promotional videos of them performing their new singles “Paperback Writer and “Rain” instead of being there physically. It was a bold move and heralded the MTV revolution that would take place 15 years later, as George Harrison remarked in The Beatles Anthology documentary:

Source: Nate Todd/jambase.com

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When I'm Sixty-Four…and Beyond - Saturday, June 6, 2020

The last party I attended in Fort Collins before the virus shutdown was a Beatles party. It was at the home of a friend who had been a big Beatles fan when she was young. She had been a member of The Beatles Fan Club and saw the group at Red Rocks in 1964.

I also have been a lifelong Beatles fan and I brought all of my stuff along to the party. We looked through old Beatles magazines, books, and even stacks of Beatles bubble gum cards.

But the most fun was getting out all of our old Beatles records — yes, vinyl versions – to spin great tune after great tune. It was a feast of melodic, upbeat music with those great familiar voices.

Of all the great Beatles recordings out there, the one that currently sticks in my head is from perhaps the band’s greatest album, Sgt. Pepper’s Lonely Hearts Club Band and that is “When I’m Sixty-Four.” There’s a reason for that — this year on June 8 I turned sixty-four.

Source: Tim Van Schmidt/northfortynews.com

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The All Things Must Pass Orchestra Copyright: other

Festival of Chichester regulars The All Things Must Pass Orchestra, comprising musicians from Seaford, Rottingdean, Brighton, Danehill and Littlehampton, were looking forward to celebrating the song’s 50th anniversary this year.

Instead, when the coronavirus lockdown hit, their gigs were wiped from the calendar.

But now they have got together – in isolation – to celebrate Harrison’s masterpiece, a song which has taken on special new resonance in the challenging months we have been going through.

The song includes the verse:

Now the darkness only stays the night-time

In the morning it will fade away

Daylight is good at arriving at the right time

It’s not always going to be this grey

Source: midsussextimes.co.uk

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When you look at his time in The Beatles, you can say George Harrison really broke through during the sessions for The White Album (1968). On that release, George delivered “While My Guitar Gently Weeps” and “Long, Long, Long,” songs which rank among the finest of his career.

But that didn’t mean George started being treated as an equal by Paul McCartney and John Lennon. In early ’69, during the sessions for Let It Be (originally called Get Back), George still had a hard time convincing the famed Beatles songwriters to give Harrison tracks the time of day.

That’s how George ended up with some 4 minutes’ worth of material on that album. And it wasn’t for lack of trying. Prior to recording “For You Blue” and “I Me Mine,” George debuted “All Things Must Pass,” “Let It Down,” and “Hear Me Lord” for The Beatles. (They basically ignored all three.)

Source: cheatsheet.com

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Ringo Starr is an artist with an eclectic catalog. Over the years, he’s made rock songs, pop songs, children’s songs, Christmas songs, and disco songs. He once made a country album called Beaucoups of Blues.

The album, which was released early in Ringo’s solo career, was a change of pace from the material he made with the Beatles. John Lennon opened up about his feelings toward the album in an interview. In the process, John gave fans some insight into how he viewed his own work.
Country and western music are a part of Ringo’s musical DNA. Rolling Stone reports he joined an English country group called The Raving Texans during the late 1950s. In the same vein, the name “Ringo” was partially inspired by Johnny Ringo, a Western legend who was involved at the gunfight at the O.K. Corral.

Source: cheatsheet.com

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After the ugliness of the early ’69 Let It Be sessions, The Beatles declared something of a truce to record Abbey Road later in the year. For his part, George Harrison got into the spirit with two of his best (and most upbeat) songs of his Beatles years.

“Something,” the first of these the group tackled, became George’s only Beatles single (only A-side, to be precise). In July ’69, work began on the second Harrison track to appear on the record, “Here Comes the Sun.”

“It seems as if winter in England goes on forever,” George said about writing the song at Eric Clapton’s house in May ’69. “By the time spring comes you really deserve it.” And you can hear the joy in his voice as he sang the lyrics.

Paul McCartney (bass, backing vocals) and Ringo (drums) did their best to make “Here Comes the Sun” work in the studio. (Both also contributed handclaps to the track.) But the song got recorded with only three Beatles. John Lennon didn’t participate at all.

 

Source: cheatsheet.com

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