Beatles News

A phenomenal 250 million records in 50 years - only the Beatles have achieved that. They released their first single on October 5, 1962. Soon enough they were world superstars. The dream began in Germany.

Masses of ivy surround the front door of run-down building. There's nothing about the place that indicates the role it played in music history.

But when you get closer you notice a mirror. Above a photograph of the band, the large lettering on the mirror reads: "Here lived the Beatles 1960." Here, in Hamburg, the search for traces of the world's most famous boy band begins.

Peter Paetzold, who was 10 years old at the time, lived just around the corner. He grew up in St. Pauli, the district of the city around the infamous Reeperbahn where the Beatles' career was launched.

The shabby building used to be a cinema - the Bambi Kino, where Paetzold once watched Disney films. The four Liverpudlian lads lived in the cinema for three months.

"For us they were just the English rockers who lived here. They looked totally different to the usual Hamburg rockers," recalls Paetzold, now 62.

What sticks out in his mind are the black jeans the band wore. "We were happy when we got blue jeans five details

Ever wondered why they chose Ringo to sing Octopus’s Garden? The Beatles drummer looks like a natural gardener in an off-duty moment at the height of the band’s fame. Now released for the first time, the snap is part of a unique private collection.

All these fab photos were taken from 1963 to 1968 for the magazine The Beatles Book. But they never made it into print. As well as showing his cultivation skills, Ringo ­is snapped climbing to a ­treehouse and at the wheel of a supercar.

John Lennon is photographed ­drumming and drinking milk with guitarist George Harrison. Paul McCartney joins ­bandmates ­gazing at their reflections in a hotel ­mirror in Margate, Kent, in 1963.

Photographer Leslie Bryce travelled the world with the band and supplied shots for the 77 editions of the monthly mag, whose circulation ­rocketed from 80,000 to 330,000 in a ­single year.

When the publication’s founder and ­editor Sean O’Mahoney retired, his daughter Jo Adams realised he was sitting on an ­extensive photo archive. Bryce had more than 40 photo ­sessions with the band. There were far too many pictures to print at the time. Now the best are in a details

What was it like to be on the receiving end of Beatlemania? Nigel Robinson thinks he has some idea. Fifty years ago, the sixth-form student from Leamington Spa discovered that his English accent – aided and abetted by a pair of Chelsea boots and a John Lennon-style cap – made him an instant celebrity when he joined the 55,000-strong audience for the celebrated concert at New York's Shea Stadium that cemented their US and global success.

The boy, who was staying in New York with a family friend, was already a fan of the Liverpool band. He didn’t have a mop top – his private school wouldn’t tolerate it – but his hair was longer than the crew cuts sported by most of the American boys his age.

On 15 August, 1965, accompanied by his schoolfriend David Treadaway (father of the acting twins Luke and Harry Treadaway), he set out for Shea Stadium. The two 17-year-olds didn’t have tickets for the concert – those had sold out weeks ago – but they figured thought it was worth turning up to “soak up the atmosphere”.

“We realised it was a big deal,” said Mr Robinson, now 67. American radio stations were playing Beatles songs back-to-back and details

The fashion designer has immediately ceased buying material from Patagonian farms in the southern regions of Argentina and Chile after she was presented with video footage from PETA, which showed scenes of cruelty toward the animals, and insisted she will look to source vegan wool.

She said: ''As a designer who built a brand on not using leather, fur or animal skins in its designs, I can't tolerate it! I am devastated by the news but more determined than ever to fight for animal rights in fashion together and monitor even more closely all suppliers involved in this industry to end all innocent lives. ''We are also looking into vegan 'wool' as well, in the same manner we were able to develop and incorporate high-end alternatives to leather and fur over the years.''

The 43-year-old design icon began working with the farmers as part of a project to help maintain the area of land where the sheep graze.

But Stella says the farm where the sheep were allegedly mistreated is ''one too many''.

She wrote on Instagram: ''It was born as an amazing initiative to help protect a million acres of endangered grasslands in Patagonia whilst looking after the welfare of animals. Unfortunately, after conducting our o details

I think I had my first orgasm at a Beatles concert — then again, how would I have known? When you’re preteen, prepubescent and pretty much pre-everything, “I Want to Hold Your Hand” seems the height of erotic ambition. And that was especially true in 1964, before the sexual revolution and the Internet made that kind of ignorance unimaginable.

By the time the Beatles showed up in Glasgow, on the final leg of their second Scottish visit that year, my friends and I were already fanatically devoted. Transistor radios were hidden in our school desks, earpiece cords accessed through inkwells, and afterschool hours were spent listening to 45s in the home of the one friend who owned a record player.

To see our idols in person required sneakiness and elaborate planning. Parental permission, had we asked for it, would not have been forthcoming, and tickets were available only by mail — city authorities being keen to avoid the camping-out chaos that had preceded earlier events.

Before the Internet and Ticketmaster stepped in, big-name tickets were typically purchased one way: by lining up on the street at night alongside throngs of hardy fans and waiting for a box office or a record st details

Leaving festivals like Woodstock and Monterey aside, there is no more famous gig in rock & roll history than when the Beatles played Shea Stadium, an orange and blue ass pit of a venue in front of 56,000 mostly teenyboppers on August 15th, 1965. It is a gig one might even term infamous, for all of the misunderstanding it has generated over the years, with one old saw after another getting parroted in the various histories of rock. 

If you've seen the footage, you know that the Beatles were positioned on a rickety stage on an infield diamond, with the screams raining down from all directions. The band laughs maniacally, exchanges "shit, can you believe this is happening?" looks and takes the piss with song introductions repeatedly.

Chances are if you've seen footage of a single Beatles gig, it is this one. And chances are, too, that you've heard they were rubbish as a live act once they became famous, couldn't even hear themselves, just wanted to haul ass out of Dodge ASAP, all of that. And, for many years, the tales surrounding that Shea Stadium gig, plus the footage, plus the bootleg of the show, reinforced all of this. Which is a shame, and a matter in need of redressing. 

Help! had just details

Rolling Stone has compiled a list of the 100 Greatest Songwriters and, not surprisingly, Bob Dylan lands at the top of the tally. In choosing the prolific folk-rock legend as the #1 songwriter, the magazine notes, “Dylan’s vision of American popular music was transformative. No one set the bar higher, or had greater impact.”

Coming in at #2 and #3 on the list, respectively, are former Beatles band mates Paul McCartney and John Lennon. Rolling Stone calls Sir Paul “pop’s greatest melodist,” while noting that he has “a bulging songbook that includes many of the most-performed and best-loved tunes of the past half-century.” As for Lennon, the magazine says, “No one better rendered the complexity of personal life or global politics, or better connected the two, than [he did] during his solo career in universal songs like ‘Watching the Wheels’ and ‘Imagine.'”

Rounding out the top 10 of the tally are Chuck Berry at #4, Smokey Robinson at #5, The Rolling Stones‘ Mick Jagger and Keith Richards at #6, Carole King and her ex-husband and songwriting partner Gerry Goffin at #7, Paul Simon at #8, Joni Mitchell at #9 and Stevie Wonder at #10.< details

During the Beatles years, George Harrison grew rapidly as a songwriter. He often dealt with philosophical themes of living for the moment and renewal. In “Love You To,” Harrison rails against people “who’ll screw you in the ground” and “fill you in with their sins.” A precursor to “Love You To,” “Think for Yourself” tells the story of a man distancing himself from someone who has lied and wreaked emotional havoc. Accented by Paul McCartney’s fuzz bass, the song not only reveals Harrison’s darker side, but foreshadows the thematically sophisticated tracks he would pen on subsequent Beatles albums as well as his solo works.

The inspiration for the bleak lyrics is unclear; in his autobiography I Me Mine, George Harrison wrote that he did not remember a specific incident that preceded the song. “‘Think For Yourself’ must be written about somebody from the sound of it — but all this time later I don’t quite recall who inspired that tune. Probably the government,” he said. Originally titled “Won’t Be There with You,” Harrison and the Beatles recorded the song in one session on November 8, 1965. A details

IT was 50 years ago today that Nigel saw the band play. Leamington businessman Nigel Robinson recalls attending arguably the most famous single pop concert in history.

FIFTY years ago on Saturday (August 15) history was made when the Beatles played the most famous concert of its era – and Beatlemania was at its height.

August 15 1965 at Shea Stadium, home of the New York Mets, saw a new level of mass hysteria, and gave birth to the modern day music concert.

And among the crowd of 60,000 plus – were two Warwick schoolboys there to witness it.

Nigel Robinson and David Treadaway were Warwick School sixth formers enjoying their summer holiday in the States when they managed to get tickets for the concert that set new records in attendance and the greatest gross in the history of entertainment.

“It was incredibly exciting,” said Nigel, now a director of Newsline Public Relations in Leamington. “Beatlemania was at its peak in the States, where only the year before in March 1964 the Beatles had an incredible 12 singles in the US top 100 – including all of the top 5!”

The Fab Four had arrived in New York and on the night on the concert they were t details

The internet just cannot stop eulogizing, analyzing, and generally fetishizing album covers. Arguably one of the great art forms of the previous century, LP sleeves are the subject of a thoughtful, well-edited video essay entitled “How The Beatles Changed Album Covers” by YouTuber Nerdwriter1, whose screen name seems rather like a self-fulfilling prophecy.

In addition to videos about everything from Louis CK to Game Of Thrones, Nerdwriter1 has an entire series of educational clips about art and art history. “How The Beatles Changed Album Covers,” appropriately, is as much about art—specifically, consumer art—as it is about music. One of the main themes of the video is that the album cover’s true importance is as a tangible object, something which fans can collect and hold onto, even though music itself is both invisible and intangible.

The essayist gives viewers a thumbnail history of LP covers, including a nod to graphic designer Alex Steinweiss, who was a pioneer in the use of album covers as a means of artistic expression, beginning in the late 1930s.

Nerdwriter1 cleverly and succinctly demonstrates how The Beatles’ innovative album covers document the b details

Smack in the middle of all of the other craziness of 1968 was the transition of The Beatles from pop superstars to socially progressive musicians.

With The Rolling Stones nipping at their heels — and a global explosion in political protest — the four lads from Liverpool pushed themselves past the psychedelia of 1967’s “Sgt. Pepper’s Lonely Hearts Club Band” and “Magical Mystery Tour” and into the much more abrasive and experimental “White Album” that came out in the early fall of 1968.

“Revolution” may now be thought of as the music that accompanied a sneaker commercial a few years ago, but 47 years ago the potent single tied in with the protests that brought France to a halt in the spring of 1968 and the assassinations of Martin Luther King and Bobby Kennedy in this country (and the resulting riots in cities all over the U.S.)

The “White Album” was already in the can when a horrified nation watched the police riot at the Democratic Convention in Chicago, but cuts from the album were just beginning to be heard at the end of that crazy summer.

The first single from the album — “Hey, Jude” — details

“So You Want To Be A Rock ’n’ Roll Star, then listen now to what I say, just get an electric guitar and take some time and learn how to play …”

So sang a chart-topping Los Angeles-based band called The Byrds in January 1967, at the height of the British Invasion. And thanks to an apparently endless parade of gifted singer-songwriters from beyond the sea, rock stardom didn’t seem all that remote at the time – even if those lyrics were mildly laced with acid.

Flash forward to 2015. I awaken to find yet another bumper crop of ads in my inbox, exhorting me to claim my rightful place as a rock ’n’ roll star. But when I behold the staggering array of software, guitars, pedals, amps, recording equipment, tutoring and degree programs that stand between me and fame, it fills me with wonder: How did the most creative period in pop music history ever get off the ground without the benefit of any of these toys?

Well, why not rev up the Wayback machine and see what a world without Facebook might have to teach us?

Seat belts fastened? First stop, Liverpool, 1961, the eve of the British Invasion.

It’s February, and the Beatles, fresh from a 14 details

I’m in a hotel room with a Beatle. And admittedly overjoyed to be there. For me there are stars, and then there are great songwriters and legends. And then, above all else, are The Beatles.

“Inspired?” he says with a laugh, when I use that word to describe the songs he wrote for his latest album, Postcards From Paradise. “We need to have you around more often!”

Seems like a great idea. His band The Beatles, as the universe knows, was the greatest ever, and the love they brought the world through their short but miraculous reign continues to radiate every day. He came together with John, Paul and George to churn out miracle songs from 1963 to 1969 almost non-stop, forever changing the art of songwriting as we know it.

It was Ringo who often came up with their titles and phrases (“A Hard Day’s Night,” he confirms, was his, though “Eight Days A Week,” often attributed to him, he says, was not) and also conceived distinctive drum parts. A songwriter’s dream drummer, he always crafted soulful parts that served the very essence of each song. Even his fills are legend: soulful grace and visceral power without ever overwhelming the song.

B details

Fifty years ago next week in the new Atlanta-Fulton County Stadium, the British sensation known as The Beatles ran out to the stage at second base, tuned up a bit and immediately launched into the Isley Brothers’ hit Twist and Shout: “Shake it up, baby, now, twist and shout. Come on, come on, come on, come on, baby now, come on and work it on out!”

It was The Beatles – John Lennon, Paul McCartney, George Harrison and Ringo Starr – who were shaking up huge baseball stadiums on their second tour of America. An estimated 34,000 screaming fans that Wednes­day night of Aug. 18, 1965, saw what would be The Beatles’ only appearance in Georgia.

The tour had started three days earlier with The Beatles performing to 55,000 fans at Shea Stadium in New York City. Besides Atlanta, stops that August would include Maple Leaf Gardens in Toronto; Sam Houston Coliseum in Houston; Comiskey Park in Chicago; Metropolitan Stadium in Bloomington, Ind.; Memorial Stadium in Portland, Ore.; Balboa Stadium in San Diego, Calif.; Hollywood Bowl in Hollywood, Calif., and Cow Palace in Daly City, Calif., near San Francisco.

During those stops, The Beatles would meet privately with The Supremes, details

The Beatles weren’t that good when they first formed.

Don’t take my word for it, Paul McCartney said in a recent radio interview: “We obviously weren’t that good. We were formulating it all.”

Record producer George Martin agreed. “When I first met them, they really couldn’t write a decent song. ‘Love Me Do’ was the best they could give me, yet they blossomed as songwriters in a way that was breathtaking.”

They became great because they worked at it. I’m not talking about that 10,000 hours Malcolm Gladwell has written about, though there’s no question that all the time in Hamburg helped. But if it was just down to putting the hours in, then Gerry and the Pacemakers would have become global icons. They were from Liverpool, managed by Brian Epstein and they too toured the Hamburg club scene; in fact, they stayed longer than the Beatles. Gerry and the Pacemakers focused on what worked, they wrote some huge hits and had three number ones in a row. But to shake up the world, the Beatles knew they were going to need a little something extra. Originality.

When Paul, John, George and Ringo were told how something was supposed to be do details