The Beatles are taking a break today.
Paul McCartney, Mal Evans and cameraman Aubrey Dewar were woken at 3.30am by a taxi driver, who had been hired to take them to locations in Nice where they could film a sequence for The Fool On The Hill for Magical Mystery Tour.
We just asked the local taxi driver, 'Where is a good place to see the sunrise from?' Nice was fairly easily accessible. It had good mountain scenery and I figured we might get a good clear sunrise down there. It was the right time of the year. We all piled in the taxi and drove up into the mountains behind Nice. It took us about an hour and sunrise was in about half an hour. We unpacked the stuff from the boot, loaded up his camera, set up the tripod where we knew the sun would rise, and waited in the freezing cold. I had a big long black coat on and we just waited until the the sun arose. And I just danced around and he filmed it.
I just ad-libbed the whole thing. I went, 'Right, get over there: Let me dance. Let me jump from this rock to this rock. Get a lot of the sun rising. Get a perfect shot and let me stand in front of it.' I just had a little Philips cassette to mime to and roughly get the feeling of the song. There was no clapper because there was no sound. Just my cassette. I said, 'We'll lay in the sound of "Fool on the Hill" afterwards.' I'm miming sometimes, but of course it should be in synch, that's what clappers are for. I didn't know these small technicalities, and also I wasn't that interested in being that precise.
We stayed until the sun went down. As the day went on, the light got worse. It got to be harsh daylight, so we got less material in the daytime. We basically used all the dawn stuff. And that was it. It was very spontaneous, as was the whole of Magical Mystery Tour. Later, when we came to try to edit it all, it was very difficult because I hadn't sung it to synch.
We shouldn't have really had just one cameraman, it was anti-union. That was another reason to go to France. The unions wouldn't have allowed it in Britain, nor probably in France, but they didn't know we were doing it. It was just the four of us; there was none of this grips, best boy, gaffer, none of that. In fact, our biggest danger was that the film didn't conform with one union rule.
Although the studio recording of The Fool On The Hill was complete, there was no suitable film footage available for the song.
On this day Paul McCartney, Mal Evans and cameraman Aubrey Dewar flew to France to shoot a daydream sequence in various locations in Nice.
McCartney forgot his passport and money, but managed nonetheless to get through customs. "I told them, 'You know who I am so why do you need to see a photograph of me in a passport?'," he later explained.
No filming was done on this day. Instead, the party checked into a hotel and hired a taxi driver, who woke them at 3.30am the following morning.
Another scene was filmed for the Magical Mystery Tour television special on this day, in Battersea in south London.
Ringo Starr and Aunt Jessie were filmed arguing while walking up Acanthus Road and turning into Lavender Hill, where they were greeted by Jolly Jimmy Johnson the courier and Miss Wendy Winters the hostess before boarding the coach.
The Beatles are in-between recordings.
Studio Two, EMI Studio, London
A 7:00 pm to 3:00 am session in which "The Fool On The Hill", now complete, was mixed into mono and edited. And then Paul overdubbed bass onto simultaneous reduction mixdowns of "Hello, Goodbye" - the best being "Take 21".
Source: The Complete Beatles Chronicle - M. Lewishon
The Beatles are taking a break between recordings.